He’s trying to be coy and flit around the hurt, but there’s no two ways around it—this situation fucking sucks. Hopefully this clears up all the questions about this from the last two years! In conjunction with the writing, the gentle swells of the guitar sell the emotion of “Skyline To.” How the production is so simple, yet the emotion is so vast. Frank Ocean—the multi-talented singer, songwriter, and rapper—eschews the R&B label his music is traditionally given and references genres as varied as electronica, psychedelic rock, and hip-hop. ‘Til our arms give out, ‘til our hearts burst, we have to keep our happiness alive. “Self Control,” produced by Malay, Jon Brion, and Frank Ocean, is all about timing and the losses which come by way of unfortunate timing in love. It’s the final line of the verse that stings the most, though: “Can you come when I call again?” The implication here is Frank has called before to no answer. As usual, Frank lets his songwriting unfold and strike the way an unpleasant memory has the potential to seize us. Play "Skyline To". on October 23, 2017, 11:11am. There is so much to miss in this life. Everything about “Skyline To” is urging us to save time, to cherish memories, to realize things are moving so quickly. If we’re not careful, it feels like we could spend entire days pining after what was. Then, we’ve got the idea of a bowl in hand, how smoking weed takes Frank to a better place. Keep alive, stay alive. I always pause at “Piece in my hands worth twice than a friend,” struggling to decide if Frank is singing about gold, drugs, or “peace.” Why not all three? This record is one of somber reflection; on the year that flew by and last night’s pretty fu*king, to be more specific. Was Frank too much? Think of how we can bask in the summer sun even as the clock strikes seven, eight at night. Worst: Futura Free, Facebook Story. If weâre not careful, it feels like we could spend entire days pining after what was. Blonded Radio (stylized as blonded RADIO) is Frank Ocean's Apple Music 1 radio show that originally lasted from February to August 2017, with four additional special episodes that aired in November and December 2018 before another four episodes from October to December 2019. The timing was all wrong, and then someone new came ‘round, and Frank’s partner had little choice but to pursue the better choice: “I, I, I know you got someone comin’ / You’re spittin’ game, know you got it.”. Original material is licensed under a Creative Commons License permitting non-commercial sharing with attribution. Was sampled in 1 song. on Amazon Music Unlimited (ad) "Skyline To". The sincerity of Frank Oceanâs âGodspeedâ reminds us of the permanence of love, and loveâs ability to transform itself and us into new people. Then we get a loving and spiraling instrumental break. They both expose the passing of time. Your once first-phone-call becomes an afterthought. Summer ends, and the horizon darkens. By the end of “Skyline To,” the past is so far gone, these things must be “worth twice than a friend” simply so Frank can cope and not waste away missing his past. I bawl at the thought of those nights on the water, and how they only exist in the past tense, because the necessity of life is to be continually moving away from what we love—perhaps towards better days, but, still, leaving something behind. I repeated the lines again, the light turned green, and we made it to my buddy’s. Something about boyfriends and wet dreams, and Frank Ocean’s immaculate pen, hit the heart from the jump. The image pairs well with the final line of the four, where we realize things have changed forever, and maybe not for the better. They both reveal us to be straining against the clock’s rushing forward. Skyline To est une chanson de Frank Ocean, . Check out Skyline To [Explicit] by Frank Ocean on Amazon Music. I paused the music, repeated the lines slowly back to my girlfriend at a red light that seemed to go on forever. You look around and realize, in an instant, nothing is familiar. It felt like the sun would never set. What a pity. Now we live in different cities. We don’t expect “Self Control” to turn on us, but Frank is an otherworldly songwriter. Going back to “Solo,” the second line of the second verse is a clear call to the lines “Hand me a towel, I’m dirty dancing / By myself,” which open “Solo.” At once, we get a recontextualization of “Solo” as pure misery, an interweaving of narratives across Blonde, and a perspective shift in Frank’s songwriting. [Verse 1: Frank Ocean (Kendrick Lamar)] This is joy, this is summer Keep alive, stay alive Got your metal on, we're alone Making sweet l That is, we can gather their relationship was something of a firecracker—too much passion too quickly, and then nothing, kaput. There is so much to miss in this life. Because you’re their old lover. In the summers during undergrad, my buddy would come to see me after his time working in the factory. We get the sense Frank is comfortable being kept on the sidelines, as long as he is kept at all. Skyline To by Frank Ocean song meaning, lyric interpretation, video and chart position ... Over delicate guitars, Frank Ocean croons stream-of-consciousness lyrics here about sex and drugs. “Skyline To” deals with the passing of time as an eventuality, sure, but it also reminds us to live for the present. The sincerity of Frank Oceanâs âGodspeedâ reminds us of the permanence of love, and loveâs ability to transform itself and us into new people. “Skyline To” is a freshly bloomed peony in hand, pink and layered and gorgeous in its ease. âFutura Free,â the final song on Frank Oceanâs masterpiece âBlonde,â feels like a grand unveiling. “I came to visit, ‘cause you see me like a UFO / That’s like never, ‘cause I made you use your self control / And you made me lose my self control, my self control.” –Frank Ocean, Finally, after another shift in perspective, we arrive at the “self control” motif. Frank Ocean (born October 28, 1987) is an American singer/songwriter and member of the gleefully-hedonistic hip-hop collective OFWGKTA.He was born Christopher Edwin Cooksey (later legally changed to Breaux) in Long Beach, California, and moved to New Orleans with his family as a young child. Remember all the people we used to call at the strike of any news? If weâre not careful, it feels like we could spend entire days pining after what was. Then, as Austin Feinstein sang, “Keep a place for me, for me / I’ll sleep between y’all, it’s nothing,” tears welled up in my eyes. The shorter the night, the sweeter the evening. The first line (“I’ll be the boyfriend in your wet dreams tonight”) works in two contexts as well. âEvery night fucks every day up / Every day patches the night up.â. © 2020 The DJ Booth LLC. The production feels choral and precious, feels like a constant unfolding. There’s terror in change—which all of Blonde posits—how it is so silent and all-consuming. Frank knows this pain well, the pain that comes with aging out of frivolity and blithe evenings. Really, it’s the lines about “pretty fucking” that capture the essence of “Skyline To:” “Pretty fucking, underneath moonlight now / Pretty fucking, sunrise in sight / In comes the morning, haunting us with the beams / Solstice ain’t as far as it used to be.”. 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